two-shots

An Eagle, a Dog, and a Fox All Walk Into a Bar: Animal Symbolism in “Build a Better Mousetrap”

In a career spanning over thirty years of television directing, Peter Hammond frequently made creative — and even groundbreaking — uses of camera angle and props. Among the signatures of his style are shots requiring sometimes complicated alignment of the actors, innovative camera placement, and the incorporation of props and set furnishings into shots and scenes in ways that often have significance to plot or characterization or both.

According to imdb.com, Hammond directed a total of nineteen episodes of The Avengers, nine of which were from the first season and thus have unfortunately been lost, with the exception of “The Frighteners.” The other ten were from Seasons 2 and 3, all of which are extant, and elsewhere I have discussed how Hammond uses props and the alignment and placement of the actors’ bodies to help tell the story in the Season 3 episode “The Golden Fleece.” Here, though, I’d like to discuss a different element of Hammond’s directorial style: the use of animal symbolism as commentary on plot and character in another Season 3 story: “Build a Better Mousetrap.”

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The Art of the Two-Shot in “The Golden Fleece”

“The Golden Fleece” is one of the better episodes of the Gale Era, not only because of its relatively strong story and fine performances, but also because of the skillfulness of the direction. Throughout the episode, director Peter Hammond creates artful effects by using symmetry and mirror image in the blocking of the Steed/Gale two-shots. Shifts in which character is foregrounded along with the positions of the actors’ bodies relative to one another and to the space they occupy and, occasionally, shot length all contribute to the overall effect, and sometimes have significant interactions with the motions of the plot and the character arcs within it.

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