Content Notice: This entry contains references to torture, anti-semitism, and Nazism.
Music has many functions within human cultures: entertainment, artistic expression, worship. Most of these functions, and the associations connected with both the music and the function, are positive. But in some cases, music has much less pleasant associations and uses, especially when it is employed either directly or indirectly as a tool in a program of torture. Two early scenes in the Season 3 episode “The Man With Two Shadows” incorporate the interconnection of music and torture, first for double agent Pieter Borowski, and then later for Steed.
Pieter Borowski and Mendelssohn
In Steed’s first scene in this episode, Steed’s supervisor, Charles, asks him to help interrogate Pieter Borowski, a double agent who is now in British custody but who was subjected to heavy torture and brainwashing by the enemy agents who had captured him some time ago. The result of this brainwashing is that Borowski now assumes a set of shifting personalities that were forced upon him by his captors. These personalities include a Gestapo Kommandant, a Russian nobleman who died in 1860, and an American thriller writer. Borowski shifts in and out of these personalities, often in response to some trigger in the conversation.