Return of the Cybernauts

Sartorial Synchrony. Or Not.


This post was originally published at sparklywaistcoat.tumblr.com.

A while back, fellow tumblr celluloidbroomcloset started a really good conversation about wardrobe coordination between Steed and Emma. In the exchange that followed, Cell asked about changes in Emma’s own wardrobe across “Return of the Cybernauts,” in reply to my post about how sartorial details were linked to the plot and the characters of Steed and Beresford.

I did a quick examination of the three episodes that precede “Return of the Cybernauts” (leaving out “Who’s Who” because of the body-switching thing) and found something very interesting.

When Emma is in sync with Steed, their wardrobes complement one another across the episode, as celluloidbroomcloset has noted. I found that when Emma is in sync with herself, her wardrobe complements itself across the episode. When she is out of sync with herself, synchrony in her wardrobe diminishes or vanishes entirely.

This lack of synchrony is at its height in “Return of the Cybernauts,” because she is out of sync both with Steed and with herself. Her interest in Beresford puts her at a distance from Steed and she herself is not sure how she feels about that relationship and undecided over what she wants from it.

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Noon in the Garden of Good and Evil

A meditation on good vs evil in Avengers, focused on a comparison of Steed and Beresford from “Return of the Cybernauts.” This originally appeared on my tumblr blog.


First let’s make a list of characteristics Steed and Beresford have in common. They are:

  • urbane
  • well spoken
  • educated
  • well dressed
  • charismatic
  • masculine
  • financially well off
  • attractive to women
  • intelligent
  • creative
  • masterful
  • calculating
  • loyal
  • willing to kill to protect the people they love (yes, I know Beresford’s brother is already dead, but if Beresford had been there in “Cybernauts” he doubtless would have cheerfully killed both Emma and Steed to protect Anderson.)

So we have these two men who have an awful lot of basically positive characteristics in common, to the point where Emma feels attracted to Beresford even as she is already in a relationship with Steed. But Beresford is evil, and Steed is not. How come?

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Steed, Beresford, and the Tie of Death in “Return of the Cybernauts”

This was originally posted on my tumblr in response to celluloidbroomcloset.tumblr.com’s excellent work on the use of color in this episode. I haven’t had much time or energy for non-fictional Avenging lately, so I figured I’d resurrect some of my old stuff for a new audience here on WordPress.


General Notes

The clothing and ties worn by Steed and Beresford (Peter Cushing!), and the ties worn by a few other characters, seem to work as sartorial commentary on the plot in the Season 5 episode, “Return of the Cybernauts”.

When Beresford is interacting with Emma, he always wears the same suit with the same black late-19th-century-style black tie, but Steed’s ties and suits change throughout the episode, and with one exception (grey suit, gold tie), Steed doesn’t wear the same suit twice with Emma.

Steed’s ties change color throughout, but the last one he wears is black. The colors of Steed’s suits also change throughout the episode, ending with the black suit and light-colored shirt at the end.

The use of black and white for the men’s clothing in these situations has symbolic significance with respect to their relationship to one another and the trajectory of the plot, and also harkens back to the original “Cybernauts” episode, which was shot in black and white.

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