As I have noted elsewhere, there are many points of contact between The Avengers and The Champions, two British television series from the 1960s, and between The Champions and The New Avengers, which aired in the mid 1970s. In those previous blogs, I wrote about how elements of Avengers episodes are echoed in some of those from Champions, and then later how a New Avengers story echoed a Champions one.
Plots and villains and action aren’t the only places where these three series intersect, however. One important point of contact is in the character of the female secret agent. In Champions, this is Sharron Macready (Alexandra Bastedo), a medical doctor, biochemist, and agent of a private security service called Nemesis. Across the entirety of Avengers (including TNA), there were five female partners who worked with John Steed, but the one I’d like to concentrate on here is Emma Peel (Diana Rigg), since in many ways she has the most in common with Sharron.
A meditation on good vs evil in Avengers, focused on a comparison of Steed and Beresford from “Return of the Cybernauts.” This originally appeared on mytumblr blog.
First let’s make a list of characteristics Steed and Beresford have in common. They are:
financially well off
attractive to women
willing to kill to protect the people they love (yes, I know Beresford’s brother is already dead, but if Beresford had been there in “Cybernauts” he doubtless would have cheerfully killed both Emma and Steed to protect Anderson.)
So we have these two men who have an awful lot of basically positive characteristics in common, to the point where Emma feels attracted to Beresford even as she is already in a relationship with Steed. But Beresford is evil, and Steed is not. How come?
This was originally posted on my tumblr in response to celluloidbroomcloset.tumblr.com’sexcellent work on the use of color in this episode.I haven’t had much time or energy for non-fictional Avenging lately, so I figured I’d resurrect some of my old stuff for a new audience here on WordPress.
The clothing and ties worn by Steed and Beresford (Peter Cushing!), and the ties worn by a few other characters, seem to work as sartorial commentary on the plot in the Season 5 episode, “Return of the Cybernauts”.
When Beresford is interacting with Emma, he always wears the same suit with the same black late-19th-century-style black tie, but Steed’s ties and suits change throughout the episode, and with one exception (grey suit, gold tie), Steed doesn’t wear the same suit twice with Emma.
Steed’s ties change color throughout, but the last one he wears is black. The colors of Steed’s suits also change throughout the episode, ending with the black suit and light-colored shirt at the end.
The use of black and white for the men’s clothing in these situations has symbolic significance with respect to their relationship to one another and the trajectory of the plot, and also harkens back to the original “Cybernauts” episode, which was shot in black and white.
This was something I originally posted on my tumblr blog, but it seems appropriate to repost it here, with a few modifications.
In “The Superlative Seven,” Steed and six others are lured onto a plane by a criminal mastermind (Donald Sutherland!) who is trying to sell his method of martial arts training to a foreign buyer. The captives on the plane include a fencing master, a bullfighter, a sharpshooter, a big game hunter, a military man who has created his own system of unarmed combat (Brian Blessed!), and a strongman. And then there’s Steed. The seven of them are being taken to a remote island in order to put to the test the fighting abilities of the mastermind’s protegé, who is hidden among the seven.
While the seven are on the plane, the strongman bends a poker, which he then tosses to Steed. Steed proceeds to unbend the poker, much to the chagrin of the strongman, who had been billing himself as “the strongest man in the world.” We later see Steed engage in a bit of trick shooting with a revolver.
The Champions: Richard Barrett, Craig Sterling, and Sharron Macready
In September 1968, ITV launched a new series called The Champions, which was created by Monty Berman and Dennis Spooner. The Champions ran for only a single season (30 episodes), and starred Angela Bastedo as Sharron Macready, William Gaunt as Richard Barrett, and Stuart Damon as Craig Sterling. Macready, Barrett, and Sterling are highly trained agents of an international security service called Nemesis. Each of them has a unique skill set: Macready is a doctor and biochemist; Barrett an expert in ciphers and codes; Sterling is a former US Air Force pilot.
This is the second installment in a three-part blog. Please refer to Part 1 for the premise of my argument and important background information.
Someone has been scaling the walls of very tall buildings, breaking windows, and then shredding to death the people they find in the rooms they invade. Steed and Mrs Peel follow a chain of clues that lead them to one Professor Poole (played by Jack MacGowran), an inventor whose work may have made those murders possible. They drive out to the professor’s country house in order to interview him, but noone answers the doorbell. This is because the professor is out on the grounds jumping around and flapping a large set of what look like bat wings. He bounds towards the house as Steed and Mrs Peel look on.
From her very first introduction in “Town of No Return,” Emma Peel is presented as being both extraordinarily intelligent and a skilled fighter. She draws on these abilities in episode after episode, helping Steed put the bad guys out of business, but it takes a while for them to catch on that she is more than just an adjunct to Steed. This is a shift that can be tracked in two episodes in particular: “Girl from AUNTIE” in Season 4 and “Correct Way to Kill” in Season 5.
When Emma tangles with the baddies, it’s usually under one of the following three rubrics, all of which eventually find their way back to Steed: