This post was originally published at sparklywaistcoat.tumblr.com.
A while back, fellow tumblr celluloidbroomcloset started a really good conversation about wardrobe coordination between Steed and Emma. In the exchange that followed, Cell asked about changes in Emma’s own wardrobe across “Return of the Cybernauts,” in reply to my post about how sartorial details were linked to the plot and the characters of Steed and Beresford.
I did a quick examination of the three episodes that precede “Return of the Cybernauts” (leaving out “Who’s Who” because of the body-switching thing) and found something very interesting.
When Emma is in sync with Steed, their wardrobes complement one another across the episode, as celluloidbroomcloset has noted. I found that when Emma is in sync with herself, her wardrobe complements itself across the episode. When she is out of sync with herself, synchrony in her wardrobe diminishes or vanishes entirely.
This lack of synchrony is at its height in “Return of the Cybernauts,” because she is out of sync both with Steed and with herself. Her interest in Beresford puts her at a distance from Steed and she herself is not sure how she feels about that relationship and undecided over what she wants from it.